Sellaband Declares Bankruptcy

If you haven’t been following the news over at Sellaband, they recently died on the table and came back like someone suffering heart failure in a hospital. They’re under new ownership now, good for them, but the “am I going to ever see the money I invested” scare was bad enough for me that I’m recommending my fans pull out of Sellaband immediately and simply reinvest their money directly into the artists they support (whether it’s me or someone else). Here’s the reasoning:

  • Sellaband was set up to help artists record albums.
  • I own my own studio and I’m already releasing new songs every single month.

So instead of trying to raise $15,000 or more for a single album, I would rather spend that kind of money on things that will create better recordings month after month:

  • Better speakers so I can mix more accurately (about $800)
  • Sound treatment for my studio walls (about $350)
  • A newer computer that can handle more plugins (about $1,000)
  • A budget for real guitarists, drummers, etc. instead of the software instruments I use now
  • A budget for a real mixing engineer who knows what she’s doing

Any one of these things would help me improve the quality of sound that I’m already creating and releasing to my fans. If you’re supporting me via Sellaband, here’s what I’d like to see you do…
Read More…


A Song about Moving On

Build a Bridge
I just posted my first song written for a Matthew Ebel dot net Entourage Member, a little tune about dealing with adversity. Hopefully it’s as inspiring as my fans are to me. Believe me, nothing helps me cope with the uncertain life of a working musician like your support!

Here’s a short sample for the non-members out there, but you can get the full track by signing up over at Matthew Ebel dot net:
Get Over It (Sample)


My Video Studio Setup

I get a lot of requests for more information on my UStream setup, specifically from other musicians and video producers just starting out. They watch my show and ask me how I get the quality that I do. To be honest, I’m making this up as I go along. For those that are just starting out, however, here’s how I’ve set up my show:
Read More…


The iPad in My Home Studio

The thought occurred to me the other day that the iPad could be indispensable for home recording studios. Whenever a vocalist needs to record, they’re typically locked in a sound-proof vault while the engineer works the controls back where the computer desk is.

But what if I’m the only one in my studio?

The Old Way

Until now the only options have been hardware control surfaces like the $1,200 Mackie units that act like a full-featured mixer or boutique wireless units like the Frontier Designs Tranzport. The latter is really the only thing I could bring into a vocal booth with me. If you take a good look at the controls on this thing, you’ll notice a lot of it is hard-wired to buttons. If I wanted to create a few more vocal tracks or select takes while I’m tracking vocals, I’d have to keep leaving the booth. And this thing costs $200. If I want anything else, I’d have to run a cable all the way into the booth and I’d still be limited to the buttons and functions the manufacturer thought I’d want.

iPad

The New Way

Now imagine I’m sealed into the mic bunker with an iPad and VNC. A device with no moving parts (read: vewy vewy quiet), a huge touch screen, and the ability to control absolutely every knob, slider, menu, and button that my recording software has to offer. If I’m recording vocals and suddenly realize that the tremolo on the guitar amp is making it difficult to stay on rhythm, I can shut it off without leaving the creative space. I can select the good takes to keep in my ears while I lay down harmony tracks. I can pull up lyrics or lead sheets as a PDF from my computer or on the iPad itself while I sing. Hell, if I’m feeling particularly masochistic, I could edit MIDI tracks by hand and tweak reverb settings from the comfort of my padded chamber.

When I’m performing my weekly UStream show, the iPad could let me control the chat room and broadcast console without taking CPU power away from my performance machine, the MacBook. But that’s another blog post, I’m sure.

Oh yeah, and it’s a frickin’ iPad too. When I’m out of the studio, I’ve still got games, books, music, movies, etc.

When I first saw the iPad’s launch, I was underwhelmed. Now, stacking it up next to current-model control surfaces, I can’t see myself buying anything else for in-booth control. I know this won’t make much of a difference to the general public, but for guys like me it opens up a world of possibilities. I need to save some money for two pieces of control gear: One bigass Mackie mixer for the desk, one iPad for everything else.


ENN: Are You Actually Listening?

Hi there! Rather than send out an audio update this week, I just gotta ask one question:

Do you actually listen to my ENN updates?

  • Yes, please keep recording them! (52%, 23 Votes)
  • Nope. (32%, 14 Votes)
  • Yes, but I prefer getting updates via RSS or email. (16%, 7 Votes)

Total Voters: 44

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If you’re not actually listening, I’ll just keep updating via RSS and email. Lord knows I could use the extra time to write music, plan a tour, etc. If you ARE, then by all means I’ll keep talking at you every Monday morning. Just let me know!


ENN: What We Dream About

ENN February 8, 2010 (Download MP3)

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  • Tonight’s show at the Lizard Lounge in Cambridge, MA at 10pm will be awesome! I promise! Come check it out, more details at www.matthewebel.com/tour
  • February 17 I’ll be performing in Trenton, NJ at Purple Stripe Productions, again the details are at www.matthewebel.com/tour

I mention these shows because of C.C. Chapman’s latest episode of Managing the Gray. He reminded me about my dreams and my goals. Yes, I would be happy just paying my bills and feeding myself, but that’s not what I dream about. Nobody dreams about simply surviving, we all have grander visions of our futures. No one dreams of mediocrity. People in my line of work share the same goal: Playing shows in big arenas to a crowd so massive you can see it from space.

The two shows coming up this month are the first steps towards that kind of dream for me. I want to become a famous rock star like Ben Folds. There’s a reason games like Rock Band and Guitar Hero sell so well: many of us dream of doing that sort of thing. To make it reality, however, requires a combination of luck, connections, and hard work. I need to know if I am good enough.

We all want to know that we can jump over that bar when we come to it. We all want to clear the bar with two feet to spare and then set the next bar even higher. This is why we dream, this is why we set goals. My goal this year is to play more shows for more people who came to hear my music. And none of us can reach our goals without help.

I may not be an über-connected CEO, but I can help you reach your goals. Just contact me and let me know how I can help. If you can help me play new shows for new crowds of people, contact me. Even if you live a long distance away from Boston, you might be able to see a live Matthew Ebel concert anyway. Fans in Atlanta made it happen, fans in Ohio are making it happen, you can make it happen.

What are you doing to reach your goals and realize your dreams? What can guys like me do to help?


The iPad Long-Term Strategy

iPad Okay, we get it. It’s not an entire Macbook crammed into a single slate. It doesn’t have a 1080p color e-ink touch screen with backlighting, portal technology, and holographic projection. You hate it, fine. It’s not like I’m camping out to buy it once it finally ships. But before you divert your bored hours at work from Farmville to flaming the fanboys on every Apple message board you can find, read this and try to think about long-term strategy.

I’m a musician, so I have to think long-term. The entry-level position for most business is either mail room, receptionist, or dishwasher. For musicians it’s playing hours of classic rock tunes in bars where people are annoyed that you’re interrupting the football game. It’s spending thousands on an album that might just sell 50 copies, if you’re lucky. It’s setting up message boards on your website and talking to the same 3 friends who are bored at their day jobs playing Farmville.

If musicians only thought short-term, nobody would go into this business.

Apple’s new iPad is a lot like a new indie band. Read More…


Avatar and the Art of Storytelling

Navi Sketch

Sketch by XieteXinco

So I finally got out to see The Blue Clan Group Avatar last night. It was everything I expected it to be: A remake of Pocahontas and Ferngully with enough Aliens fan-service to draw in that extra billion (Sigourney Weaver FTW). Throw in 3D glasses, the gimmick du-jour, and the movie squeezes a few extra dollars out of moviegoers too young to remember Jaws 3. And it’s a phenomenal piece of cinema.

Yes, I know, I’m usually the first to bitch about the fact that Hollywood couldn’t find an original script if you stapled one to the forehead of every director in California. There is nothing new about the story or the characters in Avatar. Most of the plot points are so obviously foreshadowed that at times I wondered if James Cameron forgot his audience had to be teenage or older. In some cases the reveals were as obvious as Chekhov’s gun. For those that don’t know the reference:

If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off.
From S. Shchukin, Memoirs

And yet, it was a perfect film.

The Art of Storytelling is not the Art of Writing. Storytellers, like great opera singers, find greatness in the delivery, not necessarily the creation. After all, when we were kids we wanted mom or dad to read the same story to us again and again. It’s not like we forgot the ending after 24 hours; we fall in love with the way the story is told. It’s also why the jokes you heard last night are never as funny when you tell them to someone else.

Pocahontas Meets Avatar

Script by Matt Bateman

In my line of work there are few original chord progressions. Most songs in the Blues category have had the same 12-bar progression since before the 1940′s. Cover songs are often more popular than their original recordings (FYI, Jimi Hendrix did not write All Along the Watchtower). Don’t even get me started on Christmas albums; new lyrics and melodies usually detract from their appeal rather than adding to them. A lot of you, like me, have played the same video game (Ratchet & Clank: Going Commando) dozens of times even though you’ve already bested every aspect of the game. Why do we tolerate such repetition in our lives?

The delivery of a familiar story- be it a fairy tale, a movie, or a song -can often mean more than the content of the story itself. Parents had been reading the story of Snow White to their children for years, but Walt Disney told an old story in such a fantastic way that it founded their entire empire. I know a lot of my music touches on all-too-familiar themes: Love, insecurity, politics, Ninjas… but if I can tell my stories with half the skill and passion as Cameron’s Avatar, I might just make it in this business yet.

Now go hug a tree and start working on your storytelling.


ENN: Dear Mr. President

ENN February 1, 2010 (Download MP3)

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  • Make your own State of the Union videos! My latest release from Matthew Ebel dot net is available as a narration-free download so that you can post your own letters to our Commander In Chief. Find out more at http://matthewebel.net/2010/01/31/state-of-the-union
  • This month: Boston and Trenton, NJ. I’ll be performing in both cities in the next couple of weeks, so come out to see me. I want to see you! See the full schedule on the tour page.
  • Still looking for house concert hosts. I’ve found a few people to host house shows this year, but not enough. If you’ve got a living room or backyard fit for a house party, please contact me!