As I mentioned earlier, I was interviewed by CD Baby’s Kevin Breuner for the CD Baby DIY Podcast. After a bit of tactful delay (read: time to promote the episode), it’s finally online and available for listening! It’s all about UStream and how indie musicians (like me) can spread the word via live video.

Update: If you like the podcast, btw, PLEASE go to iTunes and leave a comment!

You can subscribe to the show or get more info at www.cdbabypodcast.com or listen to the episode here:
Download MP3

I give Nickelback a lot of crap, I know. I also know that 3.7 gazillion people love that band. I hold up acts like Nickelback and Miley Cyrus as shining examples of boring, tepid major label waste product (which they are). Is it because they’re not edgy enough for me? No, there are plenty of bands that are edgy to the point where I can’t listen to them. The entire punk genre, for example, or some of Ben Folds‘ earlier work. Just because something is too misshapen to fit in the focus-group approval box doesn’t mean it’s good either.

I propose that music is like any other recipe; there are main ingredients and there are accents. A plain lump of chicken breast (Nickelback) is not, by itself, a meal. If all you ate were plain chicken breasts your taste buds would most likely atrophy and fall off your tongue. On the other hand, a diet consisting entirely of black peppercorns (punk) would burn your mouth and leave you starving to death.

This, I believe, is an oversight on the part of most major labels and some indie artists. So that mellow, 90-bpm rock song sold 20 million round discs. It’s a good cut of meat, sure, but it’s only one part of the meal. You don’t want the entire album (or the band’s entire catalog) to sound like that one market-ready radio-friendly überhit ’cause the fans will get bored.

Here’s a secret: The artists will too. Most artists (songwriters at least) have a diverse range of output. This is what drives guys like Garth Brooks to become Chris Gaines or George Carlin to be Mr. Conductor. An artist’s output should reflect their humanity as a whole, not just the radio-friendly side or the dirty underground side. An album, especially, should sound like a well-balanced meal tastes.

If you don’t believe me, open up a restaurant that serves only unflavored pasta and chicken. Let me know how that goes for you.

First things first, I must re-blog and disseminate the words of Moby:

the riaa have sued Jammie Thomas-Rasset of minnesota for $2,000,000 for illegally downloading music.

argh. what utter nonsense. this is how the record companies want to protect themselves? suing suburban moms for listening to music? charging $80,000 per song?

punishing people for listening to music is exactly the wrong way to protect the music business. maybe the record companies have adopted the ‘it’s better to be feared than respected’ approach to dealing with music fans. i don’t know, but ‘it’s better to be feared than respected’ doesn’t seem like such a sustainable business model when it comes to consumer choice. how about a new model of ‘it’s better to be loved for helping artists make good records and giving consumers great records at reasonable prices’?

i’m so sorry that any music fan anywhere is ever made to feel bad for making the effort to listen to music.

the riaa needs to be disbanded.

moby

I’m not a huge fan of Moby’s music, but I agree with him 100% in this case. You see, I’m a Christian artist. No, I’m not making CCM albums anymore, but I believe in a Christian philosophy which can be summed up as this: I believe that people will try to steal from me whether I am a tyrant or a beggar. What defines me and my nature is how I treat other people, even if they’re not concerned with how they’re treating me.

The RIAA believes that huge fines will deter people from file sharing, much in the way that capital punishment seems to be deterring people from killing each other. Those of us in the reality-based community understand that you will never keep people from stealing, all you can do is treat your legitimate customers like kings and make their experience worth more than the 99¢ track they’re paying for.

Update: And now Richard Marx, an artist actually “damaged” by this file sharing, has released a public statement decrying the verdict and siding with Ms. Thomas-Rasset, calling it “farcical”.

With all due respect to Scott Bourne, birds do indeed dream. No, not of fish… at least, not all the time. Some of them dream of music, lights, smoke, and Robot Bass Players.

Wait, what?

A fan of my weekly UStream shows sent me this fabulous piece of original art a couple days ago and, with permission, I’m posting it here. This is one of the single most impressive chunks of awesome anyone’s ever thrown at me. Not only did Stampy catch my fascination with osprey, my laptop with red case and sticker, my M-Audio keyboard, and even the ugly-ass Exit sign that lived behind me at my New Hampshire gigs, but check out the robot playing bass behind me.

Yup, that’s Prodo-1, my faithful co-host from High Orbit and snarky sidekick from Goodbye Planet Earth.

It’s stuff like this that reminds me why I do what I do. Thank you, Stampy, and all the others that have been sending in photos and art! Birds dream of having fans like you.

If I wanted to make a music video of all you people lip-syncing to one of my songs, would you do it? Which Song?